top of page
Technique
Hand-painted liners, gilded finishes, museum-grade conservation.


Crimson lacquer + comic-textured liner for Sandra Chevrier
Crimson lacquer outside, comic-textured liner inside. When the frame argues with the artwork on first read, then agrees with it on close inspection.
Frame Chicago
May 62 min read


Four frames, one print: framing Hebru Brantley's The Journeymen
Four prints, framed identically, hung as a quartet. The choreography of identical framing across a series, where any deviation reads instantly.
Frame Chicago
May 62 min read


Color-matched: framing Kayla May's Assurance
Color-matching a frame is not about repeating a hue from the artwork. It is about finding the color the print is already implying without showing.
Frame Chicago
May 62 min read


Two frames for Jess Owens-Young: gold and matte orange
Two frames for one artist: a deep gold for the still life, a matte orange for the abstract. Why we do not always match across an artist's wall.
Frame Chicago
May 62 min read


Framing a Bisa Butler quilt: hand-painted liner inside ornate moulding
Hand-stitched cotton, dyed to the saturation of paint. We built a frame to match: a hand-painted liner inside ornate gilded moulding, formal enough to insist this is portraiture, not decoration.
Frame Chicago
May 62 min read
bottom of page
